The blog of Richard Thompson, caricaturist, creator of "Cul de Sac," and winner of the 2011 Reuben Award for Outstanding Cartoonist of the Year.

Showing posts with label It's All Petey's fault. Show all posts
Showing posts with label It's All Petey's fault. Show all posts

Saturday, September 3, 2011

Petey Sits In, or, Most Of This Week's Cul de Sac

And not in a small chair, fortunately. The dream of all who draw a daily comic strip is to have somebody else please take it off their hands for as long as humanly possible.


Happily, Petey became available at just the right moment. We were on an abbreviated vacation in Duck NC when some of these strips were drawn, which means I didn't have any of the elaborate technical apparatus normally available when I work. I've grown reliant on a lightbox, a tilty art table, 5,000 pens, a stereo, 3,000 CDs, a messy floor, etc, and downsizing to a dining room table in a beach house that also has a nice & distracting view is difficult. So I let Petey do the drawing for a week of so.

I've been making this stuff up as I go along, more or less from week to week, with only a vague idea of what happens next. It took me a while to realize that Emilio Spinnerack's assignment to draw a comic from real life would mesh nicely with Alice's play, which I hadn't really thought through. All I knew was that the play should be incoherent, as though each player was the author and star. So I get to kill two birds with one stone, or fill two weeks with one joke. Regarding Monday's strip, I don't like drawing in public much either.
Drawing in a "child-like" style is tremendously fun in many ways. I've thought about shifting Cul de Sac's art more toward a style I'd call Little Kid Expressionism for a while. By Little Kid Expressionism I mean the characters' anatomy would be clumsified, the perspective would tilt, adults would loom larger, etc and the whole thing would be easier to draw. I can see this but I can't describe it. So this is a way of sneaking up on it a bit. And if anyone complains I can blame it on Petey.

Though I do worry about the lettering being legible. I'd used Petey's handwriting a few times so it seemed a good idea to keep it going for continuity's sake. Petey is at heart a perverse traditionalist, especially fond if unnecessary traditions, and I figured he'd like cursive, probably fancy Spencerian lettering, just for its difficulty. It makes a nicely absurd mismatch with the art too.
(I forgot to include the above strip in the original post) All I can add is that drawing a ceiling always a good move.
A cameo by Kevin's dad and mayne his mom.I'm guessing the whole Kevin family is annoyinng.